We also encourage you to download our free trial to try for yourself. And of course, if you find a format ClipWrap doesn't support, please let us know, we're eager to fix any problems users might encounter. Why do I need to have FCP installed? You no longer do! ClipWrap used to require FCP's HDV codecs to re-encode the audio contained in the m2t, but we now ship with our own mpeg codecs - thanks to the wonderful opensource Perian project, so FCP is no longer required to use ClipWrap. #EDITREADY VS CLIPWRAP PRO#Please note, you'll still need one of the "Pro Apps" (Final Cut Studio, Final Cut Pro X, Compressor, etc) installed if you wish to transcode into one of the ProRes formats, as that encoder is not available separately. Will it work with iMovie, Final Cut Express or Avid? ClipWrap 1.1 adds transcoding support which will allow you to convert your m2t files into a format these applications can open. There will also be a Windows version of Canister available very soon.Aren't there free alternatives? Yes and No. You can also get a MagStor unit through Hedge where you will receive a $500 USD Hedge Fund credit on top of that. All new MagStor purchases now come with a Canister license included. #EDITREADY VS CLIPWRAP DRIVER#More and more people are starting to use MagStor for their LTO needs, so Hedge has teamed up with MagStor to bring you full driver detection and support for their devices. If you don’t specify an output colorspace or apply a LUT EditReady will continue to read the RAW file’s metadata and apply any embedded LUTs and color transforms specified on-set. For example, if you choose ARRI LogC/Wide Gamut as your output format and then select the ARRI LUT, you will get the correct result.ĮditReady will convert any RAW footage from ARRI, Sony, RED, or Blackmagic, into your chosen colorspace before applying the LUT. The way to avoid this is to let EditReady convert the original LUT-free video and apply the appropriate LUT after the conversion. When the video is converted, any previously-applied LUT won’t be correct. You don’t need to find the correct output LUTs for each camera make and model, because EditReady will automatically do that for you.Ī LUT will only be valid as long as the video remains in the same color space. EditReady converts any RAW format into these video standards automatically, without you having to worry about camera gamma or gamut settings. The new color conversions options (available through the color conversion panel) let you quickly choose between Rec709 (SDR) and PQ or HLG (HDR). The new Color Conversion panel lets you pick a destination colorspace and LUT, and then EditReady does the conversion for you. X-OCN saves between 30% and 60% compared to the original RAW media.ĮditReady also receives new Color Awareness technology that allows you to shoot in all flavors of RAW without having any headaches in post. EditReady can now take both the original Sony RAW and the much newer X-OCN codecs and converts them into more manageable files. Sony’s X-OCN codec is a compressed RAW format. EditReady- Color AwarenessĮditReady now offers full Sony support and it will work with both Sony RAW and X-OCN files. You can also generate sidecars containing all your custom elements, which will be processed automatically by iconik’s Storage Gateway app. In Hedge, you can now automatically add metadata to all your iconik assets. Hedge now integrates with iconik, and EditReady features a new color pipeline as well as Sony RAW and X-OCN support. New versions of Hedge and EditReady have been released.
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